Final Cut Pro export settings for Bilibili.
1920 x 1080 at 30 fps, H.264, 20 Mbps and AAC 320 kbps: here is why, and exactly where each setting lives in Final Cut Pro.
Final Cut Pro to Bilibili
Official- Resolution
- 1920 x 1080
- Frame rate
- 30 fps, constant
- Codec
- H.264
- Bitrate
- Automatic (Final Cut Pro has no bitrate field). Aim: 20 Mbps
- Keyframes
- Automatic (no setting in Final Cut Pro)
- Audio
- AAC-LC, default bitrate, 48 kHz, stereo
- Colour
- Rec. 709 (BT.709), 8-bit 4:2:0, limited (TV) range
- Container
- MP4 with Fast Start (moov atom at the front)
Bilibili recommends 20,000 kbps video with peaks under 60,000 kbps.
Estimated size: 1.54 GB for 10:00.
- Final Cut Pro has no bitrate setting. It picks its own rate.
Step by step in Final Cut Pro
- 1Set the project to 1920 x 1080 at 30 fps (Final Cut Pro exports at the project frame rate; there is no frame rate field on export).
- 2Select the project, then choose File > Share > Export File (Cmd+E).
- 3Click Settings. Format: Computer (MP4) or Video and Audio (MOV).
- 4Video Codec: H.264 Better Quality. Resolution: 1920 x 1080.
- 5Check Color Space reads Rec. 709 (BT.709), 8-bit 4:2:0, limited (TV) range. Action: Save only.
- 6Click Next, choose where to save, then Save. Progress shows in Background Tasks.
- 7Need an exact bitrate or file size? Choose Action > Open with Compressor and set Avg. Bit rate to Custom, 20000 kbps, or run the file through HandBrake.
Bitrate at other resolutions
Same settings, different size or frame rate.
| Resolution | 30 fps | 60 fps |
|---|---|---|
| 720p | 20 Mbps, level 4.1 | 20 Mbps, level 4.1 |
| 1080p | 20 Mbps, level 4.1 | 20 Mbps, level 4.2 |
| 1440p | 20 Mbps, level 5.0 | 20 Mbps, level 5.1 |
| 2160p | 20 Mbps, level 5.1 | 20 Mbps, level 5.2 |
Bilibili upload limits
Each value links to where it was published.
Common mistakes
- Looking for a frame rate box on export. Final Cut Pro exports at the project frame rate, so set the project to 30 fps before you edit.
- Exporting "HDR" from an SDR grade. Only pick HDR when the timeline was graded in Rec. 2100 PQ or HLG; otherwise Bilibili shows flat or over-bright colour.
- Leaving phone footage at a variable frame rate. Export at a constant 30 fps, or audio drifts and motion stutters after Bilibili re-encodes it.
- There is no bitrate, profile, level or keyframe field. Final Cut picks the bitrate; use Compressor or HandBrake to hit a size cap.
- If you edited with proxies, switch the viewer back to Optimized/Original first or the export is rendered from proxies.
For comparison, YouTube publishes 8 Mbps for 1080p at 30 fps. Example length used for sizes: 10:00.
Frequently asked questions
What bitrate should I export from Final Cut Pro for Bilibili?
For 1080p at 30 fps use about 20 Mbps (20000 kbps), VBR, 1 pass, with a maximum of 30 Mbps. Bilibili recommends 20,000 kbps video with peaks under 60,000 kbps.
What resolution and frame rate should I use for Bilibili?
1920 x 1080 at 30 fps is a safe choice. Bilibili: Up to 4096 x 4096 supported. Frame rate: Up to 120 fps.
What is the maximum file size and length on Bilibili?
File size: Up to 16 GB; accounts at rights level Lv3+ get 64 GB on web upload.
Which codec should I pick in Final Cut Pro for Bilibili?
H.264, profile High, level 4.1, in an MP4 file. Bilibili lists: H.264/AVC is the codec the bitrate guidance refers to.
Can I export HDR from Final Cut Pro to Bilibili?
Yes. Export HEVC (H.265) Main10 with Rec. 2100 PQ or HLG. YUV420; SDR 8-bit, HDR 10-bit.
Final Cut Pro for other platforms
- Final Cut Pro for YouTube
- Final Cut Pro for YouTube Shorts
- Final Cut Pro for Instagram Reels
- Final Cut Pro for Instagram Stories
- Final Cut Pro for Instagram feed video
- Final Cut Pro for Facebook Reels
- Final Cut Pro for Facebook feed video
- Final Cut Pro for TikTok
- Final Cut Pro for Snapchat Spotlight
- Final Cut Pro for X (Twitter)
- Final Cut Pro for LinkedIn
- Final Cut Pro for Pinterest video Pins
Other editors for Bilibili
Hubs and tools
Shinel Studios
Rather send the footage and get Bilibili-ready edits back?
Our editors cut, caption, colour and export to each platform's spec, with 2 revision rounds. Shorts come back in 48-72 hours, long videos in 5-10 days.